Some outdoor countryside scenes looked a little murky but overall the picture quality was good. Doing it once reflects a disregard for authority but having it occur in nearly every scene undermines the action and just leaves it as a comical oddity. Some of the action choreography is, well, non existent. While the frenetic feel of the film is apt to reflect the broken psyche of the protagonist it feels more like it is due to a lack of control on the part of the director rather than for artistic reasons. This encompasses the plot as well as the style of the film:
Much of the film rides on the performance of Isabelle who rises to the occasion. This encompasses the plot as well as the style of the film: Fear and confusion contrast well as she ably veers into the more assured character Flamingo. Some of the action choreography is, well, non existent. We know from her previous work that she is very capable of injecting a sassy confidence into her roles and she confirms that yet again here. Her memories are scattered and her belongings offer a few clues as to her past. The director April Mullen has talent, but it is very much unrefined. As special features go, there is an incredibly short Making Of that offers little. Other supporting cast members, however, range from the irritating to the forgettable. A scene where Gwen wrestles with a man to steal his car serves as a perfect example. Her fragmented mind pieces together a new persona, Flamingo, who sets out to uncover the truth about her past and kill Cyrus Christopher Lloyd , the man she believes responsible for the murder of her lover. The film rides entirely on the performance of Isabelle Ginger Snaps, American Mary and for the most part she is more than up to the task. However, its attempts to convey the emotional state of the protagonist leave it a muddled, frenetic affair, but one that perhaps could become a cult classic to some. A little refinement in the technical approach could have made for something quite good but as it stands, an interesting if flawed film. Stylish imagery, reused again and again with no subtlety. While the frenetic feel of the film is apt to reflect the broken psyche of the protagonist it feels more like it is due to a lack of control on the part of the director rather than for artistic reasons. The film presents her journey as she veers between personalities, interspersed with flashbacks as she unjumbles her memory. But 88 only enhances the career she is carving out for herself in this corner of the film industry. Scenes like this break up the flow and show off some naivety and inexperience on the part of the filmmakers. Her take on Gwen is very genuine. However, a lengthy over 40 minutes Behind the Scenes featurette is quite illuminating and gives a refreshing insight to the filming of the movie as well as interviews with the cast and crew. Juggling these aspects within the film is both interesting and frustrating. Vibrant colors pop nicely, high saturation moments look great, and no artifacts were visible. The film has a brooding atmosphere with striking palettes and saturated images that clash, often further adding to the frenetic feel of the plot. Some outdoor countryside scenes looked a little murky but overall the picture quality was good. A link to purchase via Amazon is below.
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